1829-1912  Related Paintings of william r clark :. | den svenske forskningsresande sven hedin fardades 1000 tals mil genom foga kanda trakter i centralasen mellan 1890 och 1930 talen, fyra av hns humdrat | hundsladarna ar ett snabbt och e ffektivt transportmedel over isvidderna | aldert smith forelaste med ljusbilder under sex dr i londom om bestigningen av mont blanc 1851. detta bevisar det stara intresset for bergsbestigning | martin frobisher som besokte gronland | parrys fartyg tar sig fram genom isen under hans tredje forsok attfinna nordvastpassagen 1824 |
Related Artists:
VIVARINI, Alvise
Italian Early Renaissance Painter , b. 1445/46, Venezia, d. 1503/5, Venezia
Attributed to John de Critz the Elder
painted Portrait of Anne of Denmark in c. 1605
Carlos de Haes
Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.